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Read the poem below and complete the instruction that follows.




“Porphyria’s Lover”

by Robert Browning


The rain set early in to-night,

The sullen wind was soon awake,

It tore the elm-tops down for spite,

And did its worst to vex the lake:

I listened with heart fit to break. [5]

When glided in Porphyria; straight

She shut the cold out and the storm,

And kneeled and made the cheerless grate

Blaze up, and all the cottage warm;

Which done, she rose, and from her form [10]

Withdrew the dripping cloak and shawl,

And laid her soiled gloves by, untied

Her hat and let the damp hair fall,

And, last, she sat down by my side

And called me. When no voice replied, [15]

She put my arm about her waist,

And made her smooth white shoulder bare,

And all her yellow hair displaced,

And, stooping, made my cheek lie there,

And spread, o’er all, her yellow hair, [20]

Murmuring how she loved me—she

Too weak, for all her heart’s endeavour,

To set its struggling passion free

From pride, and vainer ties dissever,

And give herself to me for ever. [25]

But passion sometimes would prevail,

Nor could to-night’s gay feast restrain

A sudden thought of one so pale

For love of her, and all in vain:

So, she was come through wind and rain. [30]

Be sure I looked up at her eyes

Happy and proud; at last I knew

Porphyria worshipped me; surprise

Made my heart swell, and still it grew

While I debated what to do. [35]

That moment she was mine, mine, fair,

Perfectly pure and good: I found

A thing to do, and all her hair

In one long yellow string I wound

Three times her little throat around, [40]

And strangled her. No pain felt she;

I am quite sure she felt no pain.

As a shut bud that holds a bee,

I warily oped her lids: again

Laughed the blue eyes without a stain. [45]

And I untightened next the tress

About her neck; her cheek once more

Blushed bright beneath my burning kiss:

I propped her head up as before,

Only, this time my shoulder bore [50]

Her head, which droops upon it still:

The smiling rosy little head,

So glad it has its utmost will,

That all it scorned at once is fled,

And I, its love, am gained instead! [55]

Porphyria’s love: she guessed not how

Her darling one wish would be heard.

And thus we sit together now,

And all night long we have not stirred,

And yet God has not said a word! [60]


Source: Browning, Robert. “Porphyria’s Lover.” 1836. Perrine’s Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp, Greg Johnson, and Laurence Perrine. Boston: Wadsworth Cengage Learning, 2009. 857-59. Print.




Identify the metrical pattern.



iambic with eight feet


trochaic with four feet


dactylic with eight feet


iambic with four feet

Verified Answer :

A metrical pattern is the one quality or element of the poem that having  a few line which violates that same pattern. So base on the poem you have given, the metrical pattern that is used in the poem is in letter D. iambic with four feet. I hope you are satisfied with my answer and feel free to ask for more 

The correct answer is D.  Iambic with four feet

Explanation:

In poetry, the metrical pattern refers to the structure of each verse and the rhythm this provides, in general terms, the metric depends on the number of syllables in each verse and the combination of stressed / unstressed syllables. In the case of the Iambic with four feet or Iambic tetrameter, this occurs when each verse contains iambs which are pairs of syllables with an unstressed and a stressed syllable, and the number of iambs or pair of syllables or feet are four. This means in iambic with four feet, each verse has eight syllables and these are unstressed syllable-stressed syllable combinations.

The metrical pattern previously described can be seen in any of the verses of "Porphyria's Lover", for example in "Be sure I looked up at her eyes" or "And thus we sit together now" as they both have eight syllables and each pair of syllables is an iamb or unstressed/stressed syllable combination as shown in below (syllables are marked by / and the stressed syllables are in bold).

"Be/sure/I/looked/up/at/her/eyes"

"And/thus/we/sit/to/ge/ther/now"

Therefore, the metrical pattern of "Porphyria's Lover" is iambic with four feet or iambic tetrameter.